For Anderson, Art generates a collaboration between humans and non-humans. Through vibrations, the act of observation, and dance, Anderson develops empathy toward the materials that constitute our technological objects.

 

For Anderson, materials are nonhuman beings. They are not simply raw materials mined from nature for human production. Materials are entities with which the artist engages in an intellectual and spiritual dialogue.

 

Anderson spreads liquid paint on objects as a way of freeing them from their basic functionality. The computers, drones, batteries, VR masks, etc., lead her into an intuitive dance. Guided by hyperventilated breathing, she engages in a trance.

 

Painted objects impact the canvas on the ground, a gesture that records objects from our Technocene era to a Symbiocene era by poetically opening up new bonds between our psyche and the Earth.