Anderson's practice is rooted in animist ontologies. With Ailton Krenak, she establishes bridges between Indigenous knowledge and quantum physics, recognizing matter as a vibrating field.

 

Anderson enters into dialogue with non-human beings (such as meteorites, tools, machines, printed circuits) in order to reconnect with their animated materiality, as if to repair our relationships with the more-than-human world.

 

She applies liquid paint to objects to free them from their primary functionality. The imprints on canvas record these communications beyond the visible world during states of trance. They testify to another possible intelligence in the era of AI: the one that inhabits matter