While Anderson spreads liquid paint on objects and dances on a canvas, other paintings emerge simultaneously on neighbouring surfaces in a random manner. These CHANCE COMPOSITIONS take the form of abstract traces resulting from non-intentional gestures.

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This approach echoes the theory of physicist Hugh Everett, who challenges the idea that reality produces only one outcome at a time. According to this theory, when an event admits several possible outcomes, nature does not choose: all possibilities realise themselves simultaneously.

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Known as the many-worlds interpretation of quantum mechanics, Everett's theory proposes that the universe does not reduce to a single reality at the moment of observation. Each possible outcome unfolds in parallel worlds, independent but equally real. Formulated in 1957 to respond to the measurement problem, this vision replaces the idea of a single outcome with that of a reality in perpetual bifurcation.